Fiche technique

acquisition: ANTELOPE Orion 32HD ( formats audios WAVE, AIFF, MP3, optimisation diffusion internet )

edit: AVID Pro Tools 2018 – Digidesign Command 8

monitoring: NEUMANN KH-310, BEYERDYNAMIC DT-770, SONY MDR-7506, station SPL 2CONTROL

                                                                                              ∴ ∴ ∴

instruments virtuels: NATIVE INSTRUMENTS KOMPLETE 10 ultimate

effets virtuels: SOFTUBE massive passive, vari-mu, EQP1A, LA2A, 1176, suite SSL, IZOTOPE Ozone 8 advanced.

                                                                                             ∴ ∴ ∴

instruments hardware:

– synthétiseur analogique modulaire MU / 5U (Synthesizers.com – Moslab – Oakley – Synthetic Sound Labs – STG – Analog Craftsman –      Evaton Technologies – CGS – Grove audio)

– synthétiseur analogique modulaire ETI 4600

– synthétiseur analogique ARP Odyssey MK1 whiteface

– theremin MOOG Etherwave (signé par le Maître)

– synthétiseur numérique ROLAND JU-06

– synthétiseur numérique EMU vintage keys

– sampleur AKAI MPC LIVE

– boite à rythmes EMU Drumulator (custom eproms)

– workstation numérique KORG M1

– theremins optiques, atari punk console, stylophone, dictées magiques bendées + divers autres générateurs sonores

– percussions, basse, guitares, flutes. Amplis Selmer (50w EL34 tubes), Hohner Orgaphon 45 MH (45W PL84 tubes)

 ( passés par le studio: RSF expander I, II et programmer, KORG 800DV, KORG MS20, KORG Trident, MOOG Micromoog, OCTAVE Kitten, TEISCO S110F, ARP Odyssey 2015, Roland VP03, KAWAI K3, ARP Axxe, Yamaha CS15, Trax Retrowave R1, Oberheim Matrix 1000, Alesis Ion, Oberheim OB12, Roland  SH32… )

+ EMS synthi A, EMS synthi A clone, Moog Minimoog, Roland system 700, Roland System 100, Korg PS3100, Moog Source, Linndrum LM2, PPG wave 2, Oberheim OB1, SCI Sixtrak, Formanta Polivoks

effets hardware:

– ROLAND chorus echo SRE555

– ENSONIQ DP/2

– LEXICON LXP-15

– EVENTIDE Space

– MOOG MF drive

– IBANEZ Chorus CS-505

préamplis:

– [x8] EAA quest 804A (french broadcast mixer)

– [x8] EELA AUDIO S120 VCA (dutch broadcast mixer)

– [x2] HACIENDA ASC169 preamps/DI (Studer 169 preamp clones with DI. Neutrik and Carnhill VT24499 transformers)

– [x2] AML EZ1073 (Neve 1073 clone)

– [x1] Ferrograph, 60′ all tube preamp with DI (REDD47 circuits)

– [x1] Girardin MT48 (french broadcast mixer, Girardin transformers)

compresseurs:

– PRO REPLICAS 1176 rev.A « blue stripe »

– [x2] CLOUD CX335 (stereo vca comp)

– DBX 160XT

égaliseurs:

– [x2] PRO REPLICAS EQP1A (Pultec clone)

– [x2] AML EZ1073 (Neve 1073 clone)

micros:

– Neumann U87 (tuchel version, 1974)

– Neumann KM84 (tuchel version, 1976)

– Neumann TLM102

– Blackspade UM17 tube (U47/M49 spirit, Thiersch RED M7 capsule)

– Shure SM58 & 57

– [x2] Sontronics STC1-S

– [x2] Studio Electronics R1 (ribbon)

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